BlackMagic Camera
URSA Broadcast G2 6K B4
MFR# CINEURSAMWC6KG2
BLK# 492-0078
Cena stacjonarna: 3.775,00€ + VAT
Cena online: 3.624,00€ + VAT
- 6K Shoulder Camera
- DNG RAW & ProRes up to 3.86Gbps
- 6144x3456 @24P/25P/30P/50P/60P
- APS-C - 2/3" B4 Mount or EF mount
The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It's a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible!
Broadcast Production Camera
The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.
Live Studio Camera
URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.
Digital Cinema Camera
URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true "Hollywood" quality digital film camera.
Exceptional Low Light Performance
The new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu or remotely using the SDI remote camera control protocol.
Compatible with B4 Broadcast Lenses
The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The B4 lens mount lets you use modern Ultra HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster! You also get full electronic lens control to adjust focus, iris and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF and more!
Built In Optical ND Filters
URSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a fraction, number, or stop reduction!
Use Common Media and File Formats!
URSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.
Dual Media Slots for Non‑Stop Recording
With dual CFast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that's best for you! Both types of media are standard, inexpensive and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you non stop recording! When a card is full, recording automatically continues onto the next card so you can swap a full card while recording continues. You get enough speed to record high quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files!
USB-C for Recording Direct to External Media Disks
The Blackmagic URSA Broadcast G2 features a high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low cost external USB flash disk, you can record ProRes, H.265 or even high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus the USB port will power the disk that’s plugged in! You can even plug in optional focus and zoom demands to allow full lens control.
Strong and Lightweight Magnesium Design
URSA Broadcast G2 features a super strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be comfortable to use all day! It features familiar externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status and changing settings using on screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C and an industry standard 4 pin XLR broadcast 12V DC connection!
Built in LCD with Touch Controls
With a built in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on screen status and touch screen controls. The built in touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There's even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the on screen menus.
External Status Display
The status display is a high visibility LCD screen that’s designed to be easily seen, even in bright light! The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain and iris. It also features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you are shooting in dimly lit locations, and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition!
Program Video Monitoring
If you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.
Load Custom 3D LUTs to Recreate Film Looks!
Digital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production. However, when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The URSA Broadcast G2 works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.
Standard Television Industry Connections
Blackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The 12G-SDI connections are multi rate and switch between all HD and Ultra HD formats up to 2160p60. Other connections include a headphone connection, USB-C, balanced XLR audio with phantom power, and timecode/reference input. There's also a front mounted 12 pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting a viewfinder or on set monitor there's even an HD-SDI monitoring output and a broadcast style 4 pin XLR 12V DC power output!
Supports All Broadcast Frame Rates
Whether you’re shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super smooth, crystal clear slow motion video. To shoot slow motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file, for smooth slow motion shooting. You can set up your preferred high speed frame rate using the camera’s on screen menus, then switch between standard sync speed and off speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready to go, so its instantly available when the action gets exciting!
Professional Audio Connections and Built In Microphones
URSA Broadcast G2 has a high quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment! That means you can use the built in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection, if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.
Get Studio Camera Control via SDI
All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. This means someone can manage the image color and gain so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.
Work in Both HD or Ultra HD
The Blackmagic URSA Broadcast G2 is not just a great Ultra HD camera, but it’s also an amazing HD camera too! The high resolution sensor and generation 5 color science creates amazing images with high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world! Plus when working in HD, the high resolution sensor allows sub pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future proof camera that's perfect for both HD and Ultra HD production!
Change to PL, EF and F Lens Mounts!
URSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL or even F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you’re starting out you can change the mount and use low cost photographic lenses. Photographic lenses are incredible quality because they're designed for high resolution photography. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses!
Latest Generation 5 Color Science
Featuring the same generation 5 color science as the high end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio.
Broadcast Production Camera
The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.
Live Studio Camera
URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.
Digital Cinema Camera
URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true "Hollywood" quality digital film camera.
Exceptional Low Light Performance
The new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu or remotely using the SDI remote camera control protocol.
Compatible with B4 Broadcast Lenses
The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The B4 lens mount lets you use modern Ultra HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster! You also get full electronic lens control to adjust focus, iris and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF and more!
Built In Optical ND Filters
URSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a fraction, number, or stop reduction!
Use Common Media and File Formats!
URSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.
Dual Media Slots for Non‑Stop Recording
With dual CFast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that's best for you! Both types of media are standard, inexpensive and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you non stop recording! When a card is full, recording automatically continues onto the next card so you can swap a full card while recording continues. You get enough speed to record high quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files!
USB-C for Recording Direct to External Media Disks
The Blackmagic URSA Broadcast G2 features a high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low cost external USB flash disk, you can record ProRes, H.265 or even high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus the USB port will power the disk that’s plugged in! You can even plug in optional focus and zoom demands to allow full lens control.
Strong and Lightweight Magnesium Design
URSA Broadcast G2 features a super strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be comfortable to use all day! It features familiar externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status and changing settings using on screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C and an industry standard 4 pin XLR broadcast 12V DC connection!
Built in LCD with Touch Controls
With a built in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on screen status and touch screen controls. The built in touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There's even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the on screen menus.
External Status Display
The status display is a high visibility LCD screen that’s designed to be easily seen, even in bright light! The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain and iris. It also features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you are shooting in dimly lit locations, and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition!
Program Video Monitoring
If you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.
Load Custom 3D LUTs to Recreate Film Looks!
Digital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production. However, when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The URSA Broadcast G2 works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.
Standard Television Industry Connections
Blackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The 12G-SDI connections are multi rate and switch between all HD and Ultra HD formats up to 2160p60. Other connections include a headphone connection, USB-C, balanced XLR audio with phantom power, and timecode/reference input. There's also a front mounted 12 pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting a viewfinder or on set monitor there's even an HD-SDI monitoring output and a broadcast style 4 pin XLR 12V DC power output!
Supports All Broadcast Frame Rates
Whether you’re shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super smooth, crystal clear slow motion video. To shoot slow motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file, for smooth slow motion shooting. You can set up your preferred high speed frame rate using the camera’s on screen menus, then switch between standard sync speed and off speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready to go, so its instantly available when the action gets exciting!
Professional Audio Connections and Built In Microphones
URSA Broadcast G2 has a high quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment! That means you can use the built in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection, if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.
Get Studio Camera Control via SDI
All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. This means someone can manage the image color and gain so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.
Work in Both HD or Ultra HD
The Blackmagic URSA Broadcast G2 is not just a great Ultra HD camera, but it’s also an amazing HD camera too! The high resolution sensor and generation 5 color science creates amazing images with high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world! Plus when working in HD, the high resolution sensor allows sub pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future proof camera that's perfect for both HD and Ultra HD production!
Change to PL, EF and F Lens Mounts!
URSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL or even F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you’re starting out you can change the mount and use low cost photographic lenses. Photographic lenses are incredible quality because they're designed for high resolution photography. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses!
Latest Generation 5 Color Science
Featuring the same generation 5 color science as the high end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio.
STATUS
- Status
- New
- Availability
- Available on order: 15 Business Days
- Camera Type
-
Shoulder Camera
Studio Camera
HD Camera
4K Camera
6K Camera
VIDEO SPECIFICATIONS
- Video Format
-
BRAW (Blackmagic RAW)
ProRes 422
ProRes 422 HQ
- Max Video Resolution
-
6K: 6144 x 3456pixels (16:9 aspect ratio)
- Slow Motion
-
No
- Rec Media
-
SD/SD-HC/SD-XC Card x2
CFast Card x2
LENS SYSTEM
- Sensor Type
-
CMOS
- Sensor Size
-
2/3" (crop factor 3.93)
APS-C (crop factor 1.62)
- Sensor Resolution
-
6K
- Lens Mount
-
Changeable 2/3" Mount
Changeable Canon EF Mount
- ND Filters
-
Yes
CONNECTIONS
- Video outputs
-
12G/3G/HD/SD-SDI (BNC) x1
- Audio inputs
-
3-PIN XLR Mic/Line x2
- Audio outputs
-
Jack 3.5mm Phones x1
2CH Embedded Audio SDI x1
- PC Connections
-
USB C
- Other Connections
-
Remote (Jack 2.5mm)
Remote (12pin)
TC IN (BNC)
Genlock input (BNC)
GENERAL FEATURES
- HDR (High Dynamic Range)
-
Yes
- ISO
-
Dual Native ISO
- LCD
-
4" Touchscreen
- Viewfinder
-
Optional
MORE SPECIFICATIONS
- Extras
-
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
Blackmagic Focus and Zoom Demand through USB-C Connector.
Compatible with ATEM Streaming Bridge.
- Power
-
V-Lock Type Battery
4pin XLR 12-16V
4-Pin XLR DC output
- No. of battery slots
-
1
- Power Consumption
-
Not specified (12V DC input)
- Country of Origin
-
Australia
- Warranty
- 2 Years
PHYSICAL
- Total Dimensions (LxWxH)
- 25.5 x 14.6 x 14.9 cm
- Total Weight
- 2.59 kg
- Blackmagic URSA Broadcast G2
- 4K B4 lens mount installed
- B4 turret dust cap
- EF Mount with dust cap
- VLock Battery Plate installed
- URSA 12V 100W power supply
- URSA Mini Shoulder Pad
- URSA Mini top handle & rubber stopper
- Viewfinder mounting plate
- 2 x 1/4 inch baseplate screws
- 2 x long 1/4 inch top handle screws
- 2 x short 1/4 inch top handle screws
- 8 x EF Mount screws
- 4 x VLock plate spare screws
- Welcome wallet with QR code for camera software download
- DaVinci Resolve Studio wallet
- DaVinci Resolve Studio activation key
Blackmagic Ursa Broadcast G2 Review
Accessory
Sensor Cleaner A16K2
Cena stacjonarna: 16,13€ + VAT
Cena online: 15,48€ + VAT
- Sensor Cleaner
- 12 pieces of Sensor Cleaning Rod
- For APS-C CCD, CMOS Sensors
- High dust-attracting Power
3szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Adapter
G-Lock Plate for URSA
Cena stacjonarna: 90,87€ + VAT
Cena online: 87,23€ + VAT
- Battery Plate Adapter
- Gold Mount Plate
- D-TAP Output
- Gives Power to BM URSA
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
SC-VCT18
Cena stacjonarna: 110,43€ + VAT
Cena online: 106,01€ + VAT
- Wedge Plate
- For Selected Tripods/Heads
- Easy Adjustable
- Durable Material
6szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Ursa-Mini-Mic-Mount
Cena stacjonarna: 119,00€ + VAT
Cena online: 114,24€ + VAT
- Microphone Mount
- For URSA Cameras
- For Shotgun Microphones
- Shock mount
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Ursa-Mini-Pro-EF-Mount
Cena stacjonarna: 179,00€ + VAT
Cena online: 171,84€ + VAT
- Lens Adapter
- For Ursa Mini Pro Camera
- For EF Lenses
- Precise fit
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Ursa-Mini-Pro-F-Mount
Cena stacjonarna: 378,78€ + VAT
Cena online: 363,62€ + VAT
- Lens Adapter
- For Ursa Mini Pro Camera
- For F Mount Lenses
- Precise fit
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Ursa-Mini-Pro-PL-Mount
Cena stacjonarna: 219,00€ + VAT
Cena online: 210,24€ + VAT
- Lens Adapter
- For Ursa Mini Pro Camera
- For PL Lenses
- Precise fit
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V-Lock Plate for URSA
Cena stacjonarna: 90,87€ + VAT
Cena online: 87,23€ + VAT
- Battery Plate Adapter
- V-Mount Plate
- D-TAP Output
- Gives Power to BM URSA
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Battery
Titon-90-V-Mount
Cena stacjonarna: 335,33€ + VAT
Cena online: 321,91€ + VAT
- V-Lock Battery
- Tiny Size!
- For Sony Video Cameras
- 14.4V
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
V190 V-Lock w USB 190Wh
Cena stacjonarna: 172,31€ + VAT
Cena online: 165,42€ + VAT
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 13200mAh, 190Wh
- Max Current: 14.3A
8szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V200 Mini V-Lock w USB 207Wh
Cena stacjonarna: 193,56€ + VAT
Cena online: 185,82€ + VAT
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 14000mAh, 207W
- Zero Memory Effect.
7szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V230 V-Lock w USB 230Wh
Cena stacjonarna: 191,20€ + VAT
Cena online: 183,55€ + VAT
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 15600mAh, 230Wh
- Max Current: 14.3A
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V300 V-Lock w USB 300Wh
Cena stacjonarna: 263,43€ + VAT
Cena online: 252,89€ + VAT
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 21000mAh, 310Wh
- Max Current: 14.3A
12szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V95 Mini V-Lock w USB 95Wh
Cena stacjonarna: 115,66€ + VAT
Cena online: 111,04€ + VAT
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 6400mAh, 95Wh
- Zero Memory Effect.
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V95 V-Lock w USB 95Wh
Cena stacjonarna: 101,50€ + VAT
Cena online: 97,44€ + VAT
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB
- 14.8V, 6600mAh, 95Wh
- Max Current: 14.3A
16szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V98 Mini V-Lock w USB 98Wh
Cena stacjonarna: 207,65€ + VAT
Cena online: 199,34€ + VAT
- High Quality Li-ion Mini Battery
- V-Lock type battery with USB, USB-C
- 14.8V, 6620mAh, 98Wh
- Max Current: 10A
7szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Cable
Hyperflex Fiber 100m
Cena stacjonarna: 1.730,80€ + VAT
Cena online: 1.661,56€ + VAT
- SMPTE HDTV Cable without Reel
- Assembled w Lemo 3K.93C Connectors
- 100m Length
- Hyperflex
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Hyperflex Fiber 200m
Cena stacjonarna: 2.441,59€ + VAT
Cena online: 2.343,92€ + VAT
- SMPTE HDTV Cable without Reel
- Assembled w Lemo 3K.93C Connectors
- 200m Length
- Hyperflex
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Hyperflex Fiber 25m
Cena stacjonarna: 1.173,78€ + VAT
Cena online: 1.126,81€ + VAT
- SMPTE HDTV Cable without Reel
- Assembled w Lemo 3K.93C Connectors
- 25m Length
- Hyperflex
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Hyperflex Fiber 300m
Cena stacjonarna: 3.148,29€ + VAT
Cena online: 3.022,35€ + VAT
- SMPTE HDTV Cable?without Reel
- Assembled w Lemo 3K.93C Connectors
- 300m Length
- Hyperflex
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Hyperflex Fiber 50m
Cena stacjonarna: 1.349,41€ + VAT
Cena online: 1.295,42€ + VAT
- SMPTE HDTV Cable without Reel
- Assembled w Lemo 3K.93C Connectors
- 50m Length
- Hyperflex
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Case
1560 Dividers
Cena stacjonarna: 488,36€ + VAT
Cena online: 468,82€ + VAT
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
1560 Foam
Cena stacjonarna: 364,17€ + VAT
Cena online: 349,60€ + VAT
- Handheld Hard Case
- For Handheld Cameras
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
1560LFC
Cena stacjonarna: 536,37€ + VAT
Cena online: 514,91€ + VAT
- Handheld Hard Case
- For Handheld Cameras & Laptop
- Interior(WxHxD): 506x229x380mm
- Dustproof/Crushproof/Watertight
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
RunGun Large
Cena stacjonarna: 196,35€ + VAT
Cena online: 188,50€ + VAT
- Handheld/Shoulder Bag
- For Handheld/Shoulder Cameras
- Interior(WxHxD):600x300x240mm
- Dustproof/Shockproof/Waterproof
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Charger
V-Lock 1 Channel w DTAP
Cena stacjonarna: 31,14€ + VAT
Cena online: 29,89€ + VAT
- High quality Single Vlock Charger
- For Sony Vlock type batteries
- 16.8V/3.2A
- D-TAP Connector
8szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V-Lock 2 Channel
Cena stacjonarna: 118,02€ + VAT
Cena online: 113,30€ + VAT
- High quality Dual Vlock Charger
- For Sony Vlock type batteries
- Simultaneous charging
- 16.8V/3.2A x2
3szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
V-Lock 4-Channel
Cena stacjonarna: 295,90€ + VAT
Cena online: 284,06€ + VAT
- Quad Charger
- For V-Lock Batteries
- For Sony Video Cameras
- 16.8V/2.6A x4
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Controller
ATEM-Camera-Control-Panel
Cena stacjonarna: 2.699,50€ + VAT
Cena online: 2.591,52€ + VAT
- Panel for Cameras
- RCU Controller
- Iris, Shutter, WB Controls
- Gain, Pedestal, RGB Controls
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Focus Demand
Cena stacjonarna: 225,00€ + VAT
Cena online: 216,00€ + VAT
- Focus Controller
- Handheld Control
- For Blackmagic Studio 4K Plus/Pro
- Lens Control from the tripod handles
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Zoom Demand
Cena stacjonarna: 219,00€ + VAT
Cena online: 210,24€ + VAT
- Remote Controller
- Zoom Control
- For Studio Camera 4K Pro/Plus
- Lens Control from the tripod handles
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Converter
2110 IP Mini BiDirect 12G
Cena stacjonarna: 330,00€ + VAT
Cena online: 316,80€ + VAT
- Bidirect Converter & Talkback
- 12G/HD/SD-SDI to 2110 IP
- 1x 5-pin XLR Talkback
- Up to DCI/UHD 4K60 Video
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Camera-Fiber-Converter
Cena stacjonarna: 2.795,00€ + VAT
Cena online: 2.683,20€ + VAT
- Fiber Converter for URSA Cameras
- 3840x2160 50/60P
- 12G/HD/SD-SDI input
- 3G/HD/SD-SDI outputs
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Studio Fiber for URSA
Cena stacjonarna: 2.875,00€ + VAT
Cena online: 2.760,00€ + VAT
- Fiber Studio Converter for URSA
- 3840x2160 50/60P
- 12G/HD/SD-SDI inputs
- 3G/HD/SD-SDI outputs
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Cover
rainCover ENG-EFP
Cena stacjonarna: 156,89€ + VAT
Cena online: 150,61€ + VAT
- Raincover for Cameras
- For ENG & EFP-style Cameras
- Easy Access to Controls
- Dustproof/Scratchproof/Waterproof
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Handle
Mini Shoulder for URSA
Cena stacjonarna: 345,00€ + VAT
Cena online: 331,20€ + VAT
- Shoulder Rig with Handles
- Upper Adjustable Handle
- 2x Side Handles
- Rail mounts 15mm
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Intercom
Max 4G Double Headset 3.5mm
Cena stacjonarna: 109,05€ + VAT
Cena online: 104,68€ + VAT
- Wired Intercom Headset
- Double Ear for Blackmagic
- 3.5mm TRRS Male Connector
- 20Hz-20kHz
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Max 4G Single Headset 3.5mm
Cena stacjonarna: 94,18€ + VAT
Cena online: 90,41€ + VAT
- Wired Intercom Headset
- Single Ear for Blackmagic
- 3.5mm TRRS Male Connector
- 20Hz-20kHz
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Proline Double Headset 3.5mm
Cena stacjonarna: 162,87€ + VAT
Cena online: 156,36€ + VAT
- Wired Intercom Headset
- Double Ear for Blackmagic
- Jack 3.5mm Male Connector
- 20Hz-20kHz Frequency
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Proline Single Headset 3.5mm
Cena stacjonarna: 144,46€ + VAT
Cena online: 138,68€ + VAT
- Wired Intercom Headset
- Single Ear for Blackmagic
- 3.5mm TRRS Male Connector
- 20Hz-20kHz Frequency
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Kit
Hyperflex Fiber 100m w Reel
Cena stacjonarna: 1.956,81€ + VAT
Cena online: 1.878,53€ + VAT
- SMPTE HDTV Cable w Reel
- Assembled w Lemo 3K.93C Connectors
- 100m Length
- Hyperflex
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Hyperflex Fiber 200m w Reel
Cena stacjonarna: 2.674,49€ + VAT
Cena online: 2.567,49€ + VAT
- SMPTE HDTV Cable w Reel
- Assembled w Lemo 3K.93C Connectors
- 200m Length
- Hyperflex
Brak w magazynie
Zapytaj o dostępność
Zapytaj o dostępność
Hyperflex Fiber 50m w Reel
Cena stacjonarna: 1.405,34€ + VAT
Cena online: 1.349,11€ + VAT
- SMPTE HDTV Cable w Reel
- Assembled w Lemo 3K.93C Connectors
- 50m Length
- Hyperflex
Brak w magazynie
Zapytaj o dostępność
Zapytaj o dostępność
Pictor Zoom 20-55/50-125
Cena stacjonarna: 2.345,98€ + VAT
Cena online: 2.207,10€ + VAT
- Lens Kit with 2x lenses
- 20-55mm & 50-125mm T2.8
- Super-35/APS-C Format
- EF & PL Mount - 16 blades
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Lens
KJ20x8.2B Portable 20x
Cena stacjonarna: 4.495,35€ + VAT
Cena online: 4.315,53€ + VAT
- HD Broadcast Zoom Lens
- 32.2-644mm (35mm equivalent)
- f/1.9 - f/2.7 Max Aperture
- 2/3" B4 Format
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
LA 16x8 16X 4K
Cena stacjonarna: 3.864,90€ + VAT
Cena online: 3.710,30€ + VAT
- 4K/HD Broadcast Zoom Lens
- 16x8? ideal for Ursa Broadcast
- 8-128mm or 31-500mm(35mm)
- f/1.9 - f/2.8 Max Aperture
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
LA 30x7.8 4K ENG
Cena stacjonarna: 6.082,70€ + VAT
Cena online: 5.839,39€ + VAT
- 4K/HD Broadcast Zoom Lens
- 30x7.8 2x Extender
- 7.8-234mm or 31-940mm(35mm)
- f/1.9 - f/3.9 Max Aperture
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
PAVO 100mm T2.4 2x Anamorphic
Cena stacjonarna: 2.659,93€ + VAT
Cena online: 2.553,53€ + VAT
- Anamorphic Lens 100mm
- PAVO Series -EF & PL Mounts
- Aperture T2.4-T22
- Super35/APS-C Format
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
PAVO 135mm T2.5 2x Anamorphic
Cena stacjonarna: 2.659,93€ + VAT
Cena online: 2.553,53€ + VAT
- Anamorphic Lens 135mm
- PAVO Series -EF & PL Mounts
- Aperture T2.5-T22
- Super35/APS-C Format
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
PAVO 180mm T2.8 2x Anamorphic
Cena stacjonarna: 2.659,93€ + VAT
Cena online: 2.553,53€ + VAT
- Anamorphic Lens 180mm
- PAVO Series -EF & PL Mounts
- Aperture T2.8-T22
- Super35/APS-C Format
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
PAVO 28mm T2.1 2x Anamorphic
Cena stacjonarna: 2.659,93€ + VAT
Cena online: 2.553,53€ + VAT
- Anamorphic Lens 28mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
PAVO 32mm T2.1 2x Anamorphic
Cena stacjonarna: 2.659,93€ + VAT
Cena online: 2.553,53€ + VAT
- Anamorphic Lens 32mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
PAVO 40mm T2.1 2x Anamorphic
Cena stacjonarna: 2.659,93€ + VAT
Cena online: 2.553,53€ + VAT
- Anamorphic Lens 40mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
PAVO 55mm T2.1 2x Anamorphic
Cena stacjonarna: 2.659,93€ + VAT
Cena online: 2.553,53€ + VAT
- Anamorphic Lens 55mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
PAVO 65mm T2.8 2x Anamorphic
Cena stacjonarna: 3.129,49€ + VAT
Cena online: 3.004,31€ + VAT
- Anamorphic Lens 65mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.8-T22
- Super35/APS-C Format
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
PAVO 75mm T2.1 2x Anamorphic
Cena stacjonarna: 2.659,93€ + VAT
Cena online: 2.553,53€ + VAT
- Anamorphic Lens 75mm
- PAVO Series -?EF & PL Mounts
- Aperture T2.1-T22
- Super35/APS-C Format
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Pictor Zoom 20-55mm EF PL
Cena stacjonarna: 1.172,99€ + VAT
Cena online: 1.126,07€ + VAT
- Cine Zoom Lens
- 20-55mm T2.8
- EF & PL Mounts
- Super35/APS-C
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Pictor Zoom 50-125mm EF PL
Cena stacjonarna: 1.172,99€ + VAT
Cena online: 1.126,07€ + VAT
- Cine Zoom Lens
- 50-125mm T2.8
- EF & PL Mounts
- Super35/APS-C
3szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
XA 20SX8.5 20X HD
Cena stacjonarna: 2.839,20€ + VAT
Cena online: 2.725,63€ + VAT
- HD Broadcast Zoom Lens
- 33.4-668mm (35mm equivalent)
- f/1.8 - f/2.7 Max Aperture
- 20X zoom
Brak w magazynie
Na zamówienie: 7 dni roboczych
Na zamówienie: 7 dni roboczych
XA 20SX8.5 20X HD Ext x2
Cena stacjonarna: 3.588,00€ + VAT
Cena online: 3.444,48€ + VAT
- HD Broadcast Zoom Lens
- 33.4-668mm (35mm equivalent)
- f/1.8 - f/2.7 Max Aperture
- 20X Zoom - 40X with ext x2
Brak w magazynie
Na zamówienie: 7 dni roboczych
Na zamówienie: 7 dni roboczych
Microphone
C-417PP
Cena stacjonarna: 130,20€ + VAT
Cena online: 124,99€ + VAT
- Lavalier Microphone
- XLR 3-pin Male connector
- Frequency: 20Hz - 20kHz
- Omni-Directional
3szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Cardioid SM58S
Cena stacjonarna: 116,94€ + VAT
Cena online: 112,26€ + VAT
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 15kHz response
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
E-835S
Cena stacjonarna: 79,80€ + VAT
Cena online: 76,60€ + VAT
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -51dB
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
E-845S
Cena stacjonarna: 79,80€ + VAT
Cena online: 76,60€ + VAT
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 16kHz Frequency Response
- Sensitivity: -54dB
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
E-865S
Cena stacjonarna: 183,96€ + VAT
Cena online: 176,60€ + VAT
- Handheld Microphone
- Electret Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -50dB
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
E-935
Cena stacjonarna: 138,60€ + VAT
Cena online: 133,05€ + VAT
- Handheld Microphone
- Dynamic Cardioid Mic
- 40Hz - 18kHz Frequency Response
- Sensitivity: -51dB
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Handheld Beta 58A
Cena stacjonarna: 173,39€ + VAT
Cena online: 166,45€ + VAT
- Handheld Mic
- Cardioid Pattern
- XLR 3-Pin Connector
- 50Hz - 16kHz response
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
MKH-416P48U3
Cena stacjonarna: 746,76€ + VAT
Cena online: 716,88€ + VAT
- Shotgun Microphone
- Condenser Hyper Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -32dB
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
NTG1 Shotgun
Cena stacjonarna: 189,00€ + VAT
Cena online: 181,44€ + VAT
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -36dB
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
NTG2 Shotgun
Cena stacjonarna: 183,96€ + VAT
Cena online: 176,60€ + VAT
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -36dB - AA Battery
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
NTG3 Shotgun
Cena stacjonarna: 503,16€ + VAT
Cena online: 483,03€ + VAT
- Shotgun Microphone (Silver)
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -30dB
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
NTG3 Shotgun Black
Cena stacjonarna: 519,96€ + VAT
Cena online: 499,16€ + VAT
- Shotgun Microphone (Black)
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -30dB
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
NTG4 Shotgun
Cena stacjonarna: 202,44€ + VAT
Cena online: 194,34€ + VAT
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
NTG4+ Shotgun
Cena stacjonarna: 202,44€ + VAT
Cena online: 194,34€ + VAT
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 20Hz - 20kHz Frequency Response
- Sensitivity: -32dB - Internal Battery
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
NTG8 Long Shotgun
Cena stacjonarna: 839,16€ + VAT
Cena online: 805,59€ + VAT
- Shotgun Microphone
- Condenser Super Cardioid Mic
- 40Hz - 20kHz Frequency Response
- Sensitivity: -20dB
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Monitor
URSA Studio Viewfinder G2
Cena stacjonarna: 1.340,00€ + VAT
Cena online: 1.286,40€ + VAT
- Studio Viewfinder
- LCD IPS 7" 1920x1200Pixel
- 3G/HD/SD-SDI input
- Tally/Waveform/Histogram
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Phones
Broadcast Stereo Headset
Cena stacjonarna: 172,46€ + VAT
Cena online: 165,56€ + VAT
- Headset with Microphone
- Dual-ear Headphones
- Cardioid Dynamic Mic.
- 3-pin XLR and 1/4" Connectors
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Dynamic Closed K-240
Cena stacjonarna: 61,24€ + VAT
Cena online: 58,79€ + VAT
- Dynamic Closed Headphones
- 18Hz - 25kHz Phone Frequency
- 104dB Max SPL
- 55 Ohm Phone impedance
3szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Dynamic Closed K-72
Cena stacjonarna: 38,64€ + VAT
Cena online: 37,09€ + VAT
- Dynamic Closed Headphones
- 16Hz - 20kHz Phone Frequency
- Jack 3.5 TRS Connector
- 112dB Max SPL & 32 Ohm Impedance
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
HD 200 PRO
Cena stacjonarna: 57,96€ + VAT
Cena online: 55,64€ + VAT
- Dynamic Closed Headphones
- 20Hz - 20kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 32Ohm impedance
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
HD 280 PRO II
Cena stacjonarna: 74,76€ + VAT
Cena online: 71,76€ + VAT
- Dynamic Closed Headphones
- 8Hz - 25kHz Frequency response
- 3.5mm/6.3mm Stereo Connector
- 64Ohm impedance
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Over-Ear NTH 100M
Cena stacjonarna: 133,56€ + VAT
Cena online: 128,21€ + VAT
- Dynamic Closed Phones with Mic.
- 5Hz - 35KHz Frequency Response
- 3.5mm to 1/4" Adapter
- 32Ohm Impedance
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
REC-Media
CFast128EXT-PROII
Cena stacjonarna: 315,02€ + VAT
Cena online: 302,41€ + VAT
- CFast 2.0 Card 128GB
- Write: 450MB/sec
- Read: 525MB/sec
- CFast 2.0
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
CFast256EXT-PROII
Cena stacjonarna: 422,73€ + VAT
Cena online: 405,82€ + VAT
- CFast 2.0 Card 256GB
- Write: 450MB/sec
- Read: 525MB/sec
- CFast 2.0
23szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
CFast512EXT-PROII
Cena stacjonarna: 700,31€ + VAT
Cena online: 672,29€ + VAT
- CFast 2.0 Card 512GB
- Write: 450MB/sec
- Read: 525MB/sec
- CFast 2.0
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
SDXC Extreme Pro 128GB V90 300-sku
Cena stacjonarna: 141,76€ + VAT
Cena online: 136,08€ + VAT
- SDHC/SDXC Card 128GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
SDXC128EXT PROII V90 300M
Cena stacjonarna: 248,12€ + VAT
Cena online: 238,19€ + VAT
- SDHC/SDXC Card 128GB
- Write: 300MB/sec
- Read: 300MB/sec
- UHS-II -V90
10szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
SDXC256EXT PROII V90 300M
Cena stacjonarna: 287,51€ + VAT
Cena online: 276,00€ + VAT
- SDHC/SDXC Card 256GB
- Write: 300MB/sec
- Read: 300MB/sec
- UHS-II -V90
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
SDXC64EXT PROII V90 300M
Cena stacjonarna: 156,19€ + VAT
Cena online: 149,94€ + VAT
- SDHC/SDXC Card 64GB
- Write: 300MB/sec
- Read: 300MB/sec
- UHS-II -V90
8szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
SDXC64EXT PROII V90 300M Read
Cena stacjonarna: 80,42€ + VAT
Cena online: 77,20€ + VAT
- SDHC/SDXC Card 64GB
- Write: 260MB/sec
- Read: 300MB/sec
- UHS-II -V90
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Reader
ImageMate Pro USBC
Cena stacjonarna: 43,20€ + VAT
Cena online: 41,47€ + VAT
- USB Card Reader
- SDHC/SDXC/MicroSD/CF Cards
- Max Transfer Speed: 500MB/sec
- USBC Connection-USB3.0 interface
8szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
USB 3.0 for CFast 2.0
Cena stacjonarna: 18,86€ + VAT
Cena online: 18,10€ + VAT
- USB Card Reader
- CFast 2.0/1.1/1.0 Cards
- Max Transfer Speed: 500MB/sec
- USB3.0/USB2.0 Connection
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
USB 3.1 Type-C for SD and CF
Cena stacjonarna: 14,72€ + VAT
Cena online: 14,13€ + VAT
- USB Card Reader
- 3x Card Slots
- SDHC/SDXC/MicroSD/CF Cards
- USB 3.1 Gen 1 (USB 5Gbps)
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Recorder
SSD for URSA Mini
Cena stacjonarna: 382,57€ + VAT
Cena online: 367,26€ + VAT
- On-Camera SSD/HDD Recorder
- For Ursa Mini Pro Cameras
- Cinema DNG Files
- ProRes files
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Tripod
ACE M MS MK II 4KG AL
Cena stacjonarna: 766,25€ + VAT
Cena online: 735,60€ + VAT
- Video Tripod Kit
- For Handheld/Photo Cameras
- 4KG Payload
- 78-169cm
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
ACE XL AL MS MK II 8KG
Cena stacjonarna: 1.034,37€ + VAT
Cena online: 992,99€ + VAT
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Aluminum
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
ACE XL CF GS MK II 8KG
Cena stacjonarna: 1.303,75€ + VAT
Cena online: 1.251,60€ + VAT
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Carbon Fiber
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
ACE XL Flowtech 75 MS MK II
Cena stacjonarna: 1.844,06€ + VAT
Cena online: 1.770,29€ + VAT
- Video Tripod Kit
- For Handheld/Photo Cameras
- Carbon Fiber - 8KG Payload
- 41-169cm without Spreader
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
ACE XL FT75 MS
Cena stacjonarna: 1.612,50€ + VAT
Cena online: 1.548,00€ + VAT
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 41-169cm
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
ACE XL MS CF MK II
Cena stacjonarna: 1.303,75€ + VAT
Cena online: 1.251,60€ + VAT
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 78-169cm - Fiber Carbon
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
ACE-XL-GS-AL MK II
Cena stacjonarna: 1.034,37€ + VAT
Cena online: 992,99€ + VAT
- Video Tripod Kit
- For Handheld/Photo Cameras
- 8KG Payload
- 58-173cm - Aluminum
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Aluminum FreeBlazer AD-80
Cena stacjonarna: 174,11€ + VAT
Cena online: 167,14€ + VAT
- Tripod Kit for Video Cameras
- FreeSpeed
- 8KG Max. Payload
- 1.91M Max. Height
3szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Aluminum Heavy Duty AD-01
Cena stacjonarna: 138,43€ + VAT
Cena online: 132,88€ + VAT
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
5szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Aluminum Heavy Duty AD-14
Cena stacjonarna: 86,19€ + VAT
Cena online: 82,74€ + VAT
- Tripod Kit
- For Video Cameras
- 8KG Max. Payload
- 1.86M Max. Height
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Carbon Fiber Heavy Duty AD-14
Cena stacjonarna: 139,28€ + VAT
Cena online: 133,71€ + VAT
- Tripod Kit
- For Video Cameras
- 10KG Max. Payload
- 1.85M Max. Height
Brak w magazynie
Na zamówienie: 15 dni roboczych
Na zamówienie: 15 dni roboczych
Reach Plus1 CF
Cena stacjonarna: 684,29€ + VAT
Cena online: 656,91€ + VAT
- Video Tripod Kit CF
- For Handheld/Shoulder Cameras
- 10KG Payload
- 55-170cm
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Viewfinder
Ursa-Viewfinder
Cena stacjonarna: 1.340,00€ + VAT
Cena online: 1.286,40€ + VAT
- On-Camera Viewfinder
- HD/SD-SDI input
- OLED 1920x1080pixel
- For Blackmagic URSA/URSA Mini
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
Wireless
EW 100 ENG G4 TX TX RX
Cena stacjonarna: 671,16€ + VAT
Cena online: 644,31€ + VAT
- Wireless Audio Transceiver
- 1x Transmitter with Lavalier Mic
- 1x Transmitter for Dynamic Mic
- 1x Receiver with Jack/XLR output
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
UWMIC9-RX9TX9
Cena stacjonarna: 233,61€ + VAT
Cena online: 224,26€ + VAT
- Wireless Audio Transceiver 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
- AA Batteries
4szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
UWMIC9-RX9TX9TX9
Cena stacjonarna: 346,09€ + VAT
Cena online: 332,24€ + VAT
- Wireless Audio Transceiver
- 2x Transmitters/Lavalier Mic Omni
- 1x Receiver with Jack/XLR output
- Frequency: 514MHz-596MHz
6szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
XSW D Lavalier Set
Cena stacjonarna: 301,56€ + VAT
Cena online: 289,49€ + VAT
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with XLR Male output
- 1x Transmitter with 3.5mm Jack out
1szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
XSW D Portable Lavalier Set
Cena stacjonarna: 252,00€ + VAT
Cena online: 241,92€ + VAT
- Wireless Audio Transceiver
- 1x Transmitter/Lavalier Mic Omni
- 1x Receiver with 3.5mm Jack out
- 1x Transmitter with 3.5mm Jack out
2szt. w magazynie
Natychmiastowa wysyłka
Natychmiastowa wysyłka
