Atomos Shogun-inferno

€ 1915.20 + VAT
€ 2128.00
✓ Installment payments up to 36months by credit card.
⌦ Not in stock. Available in 9working days.

  • SSD/HDD Recorder
  • 4x 12G/HD-SDI 4:2:2 10bit & HDMI 4K
  • Apple ProRes/DNxHR/Cinema DNG RAW
  • 7.1" LCD 1920x1200 1500nit HB
  • 4K 4096x2160 60P/50P/30P/25P/24P
  • Trigger Simultaneous Shogun & Camera
  • HDMI to SDI & SDI to HDMI Convertion
  • 3-Year Warranty

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Shogun-inferno

Shogun Inferno combines our award winning HDR, high bright monitor with high resolution, high frame rate recording. Designed for the world's leading cinema cameras with both QuadLink SDI* and HDMI 2.0 connections for recording up to 4K 60p (HD 240p*) video, 4K 30p Raw to CDNG* and 4K 60p Raw to ProRes / DNxHR*.

AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
 

1500NIT 10-BIT

The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.


PQ & HLG PLAYOUT & INPUT

The AtomHDR engine not only lets you set perfect exposure in the field, you can take a HDR output in either PQ or HLG* standard to compatible HDR screens or accept HDR input from your NLE for mobile grading or for HDR connection from cameras with a PQ or HLG* output.


4K 60P & HD 240P RECORDING

Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p*. Record Raw over SDI* up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors.


LOG AND RAW OVER QUADLINK SDI

The QuadLink SDI connections* offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a single 12G SDI output. Recording RAW* from Arri, Sony, Canon and Panasonic cameras provides 4K functionality not available in some cameras whilst also offers a far more affordable solution in terms of media costs.


SIMPLE OS, SOPHISTICATED SHOTS

Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.
 
Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.
 

MONITOR & RECORD XLR AUDIO

The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.
 

ADVANCED RECORDING CAPABILITY

Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.
 

BATTLE-READY!

FOR THE FIELD

Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, 2 x input XLR breakout cable, control cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.


Supported Codecs & Frame Rates (Record & Playback)
Raw Record* Sony FS5/FS7/FS700 CDNG*
4K DCI; 24/25/30p 
4K UHD; 
2K; 24/25/30/50/60/100*/120*p 
1080; 

Canon C300MKII/C500 CDNG*
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080;

Panasonic* VaricamLT CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 

Arri* Alexa Mini .ARI
2880x1620; 24/25/30/50/60p 
2880x2160; 24/25/30/50/60p 
 
Raw to ProRes / DNxHR Sony FS5/FS7/FS700* 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50/60p 
4K UHD; 
2K; 24/25/30/50/60/100/120/200*/240*p 
1080; 

Canon C300MKII/C500* 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 
 
Video to ProRes / DNxHR 
(DNx utilizes a .MOV wrapper)
Codecs 
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 
4K DCI; 24/25/30/50/60p 
4K UHD; 24/25/30/50/60p 
2K; N/A 
1080p; 24/25/30/50/60/100^/120^/200*/240*p 
1080i; 50/60i 
720p; 50/60p

* Available in future firmware updates
*** No HDMI spec for 2K DCI


Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut